

All of the giants, but in particular The BFG himself speak in a decidedly unusual fashion, using a plethora of invented words, spoonerisms and puns, indeed as a child I regularly used terms like "Gloryumptious" or "Boot bogglers" as a matter of course.

Less happily, there are also nine other gruesome man-eating giants who like nothing better than crunching up to or three wopsy wiffling human beans for supper each night, whether beans from Chilly (where the giants go for something cold to eat in hot weather), Wellington (where the human beans have the flavour of boots), or Sweden, for the Sweden sour taste.Īs you will gather, one of the most major themes in the BFG is Dahl's wonderful use of language and humour, especially regarding the giants dining habits. There is something intrinsically frightening about giants, especially the thought of giants snatching children (or indeed anyone), out of bed at night with a hand through the window, and this is exactly how The BFG begins, with the orphan Sophie, (named for Dahl's grand daughter), seeing a tall thin giant on the street of her village and promptly being kidnapped by him and taken off to his cave in Giant country.įortunately for Sophie, the giant who snatched her is The BFG, the big friendly giant who does not eat human beans, but blows good dreams into the windows of sleeping children instead. The BFG, which is worryingly now exactly as old as I am, was probably my favourite of the Dahl books as a child, as well as paradoxically being the one that scared me most.

Before seeing the new film adaptation I decided it was time to revisit one of Roald Dahl's classics.
